外星惡客
主演：Marshall Thompson Shirley Patterson Kim Spalding
時間：2024-08-31 10:08:57
外星惡客簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notaOut of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jer塔羅臉上露出了一個人畜無害的笑容，阿克，你要記住如果你我我在這二動手，對我們雙方都沒有好處，家族也從此聚會解散，不論是你贏還是我贏，桑德列斯再也不會成為我們兩個人的避難所了，如果你想要這樣的情況發(fā)生，請盡管開槍，李斯看著面無懼色的少年如此鎮(zhèn)定自若的表現(xiàn)，心里有點拿不準他的深淺，如果他贏了，會損失將近一半的手下，如果他輸了會輸?shù)糇约旱拿@好像一旦都不劃算，終于李斯，阿克退了一步，把槍都收起來，后面那些身穿黑色的亞麻布的護衛(wèi)統(tǒng)統(tǒng)把槍放了下來，塔羅也悄悄地把自己的手從鯊齒地把手上挪開，點了點頭，這才是聰明人的表現(xiàn)，哼，你簡直就是太囂張了，竟然敢直接殺掉護衛(wèi)隊的成員，即使你是家族的首領，這已經(jīng)構(gòu)成了不可原諒的罪過，你已經(jīng)沒有資格坐在那個位子上了塔羅笑了，哈哈，哈哈，擦了擦從眼角流出來的眼淚，你是在跟我開玩笑嗎，我什么時候殺了護衛(wèi)隊的成員，你是在跟我開玩笑嗎，坐在搖椅上，將頭向后靠了靠，突然臉上的笑容消失了，而是用一種一異常冰冷的語氣說道，史蒂夫，卡爾，羅根，尼爾森，公然違背我的命令，違反了我制定的規(guī)則，挑戰(zhàn)了家族首領的尊嚴，有罪，理當處死，沒有將他們凌遲已經(jīng)算是便宜他們了，你，李斯指著塔羅說話都開始有些斷斷續(xù)續(xù)，竟然說不出話來，呵呵，這就是我的規(guī)則，我的話即是法律，即是規(guī)則，違反法律和規(guī)則的人統(tǒng)統(tǒng)只有一個結(jié)果死，塔羅微笑著著說完死這個字后李斯驟然感覺這個半大的少年渾身散發(fā)出一股子無比暴戾的殺氣，就在塔羅說出死這個字的時候，李斯阿克，感覺自己的手里搶不受控制的的抖動了一下，仿佛是脫離手掌，不過李斯，阿克用自己寬大的手掌，略微一按，步槍，便不再動彈，其實每個人手里的槍和弩箭都有種要脫離手掌的感覺，甚至有幾個人的槍和弩箭直接掉地上李斯驚訝的看著這個半大的少年，這個家伙的異能力什么時候變強了，他早就知道塔羅是擁有以能力的異能者，否則他也不可能被這個半大的小子給壓制這么久，但是沒有珍貴的藥劑和生物寶石異能者很難提高提自己的能力，初期的異能者很容易就被普通人殺死，但塔羅的背后可是有著哪一位的存在，怎么可能與普通弄的異能者相比較。! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.詳情
HW資源
外星惡客劇情簡介
《外星惡客》是一部優(yōu)質(zhì)的美國 的科幻 恐怖 影視作品，Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certai《外星惡客》是一部優(yōu)質(zhì)的美國 的科幻 恐怖 影視作品，Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jer塔羅臉上露出了一個人畜無害的笑容，阿克，你要記住如果你我我在這二動手，對我們雙方都沒有好處，家族也從此聚會解散，不論是你贏還是我贏，桑德列斯再也不會成為我們兩個人的避難所了，如果你想要這樣的情況發(fā)生，請盡管開槍，李斯看著面無懼色的少年如此鎮(zhèn)定自若的表現(xiàn)，心里有點拿不準他的深淺，如果他贏了，會損失將近一半的手下，如果他輸了會輸?shù)糇约旱拿?，這好像一旦都不劃算，終于李斯，阿克退了一步，把槍都收起來，后面那些身穿黑色的亞麻布的護衛(wèi)統(tǒng)統(tǒng)把槍放了下來，塔羅也悄悄地把自己的手從鯊齒地把手上挪開，點了點頭，這才是聰明人的表現(xiàn)，哼，你簡直就是太囂張了，竟然敢直接殺掉護衛(wèi)隊的成員，即使你是家族的首領，這已經(jīng)構(gòu)成了不可原諒的罪過，你已經(jīng)沒有資格坐在那個位子上了塔羅笑了，哈哈，哈哈，擦了擦從眼角流出來的眼淚，你是在跟我開玩笑嗎，我什么時候殺了護衛(wèi)隊的成員，你是在跟我開玩笑嗎，坐在搖椅上，將頭向后靠了靠，突然臉上的笑容消失了，而是用一種一異常冰冷的語氣說道，史蒂夫，卡爾，羅根，尼爾森，公然違背我的命令，違反了我制定的規(guī)則，挑戰(zhàn)了家族首領的尊嚴，有罪，理當處死，沒有將他們凌遲已經(jīng)算是便宜他們了，你，李斯指著塔羅說話都開始有些斷斷續(xù)續(xù)，竟然說不出話來，呵呵，這就是我的規(guī)則，我的話即是法律，即是規(guī)則，違反法律和規(guī)則的人統(tǒng)統(tǒng)只有一個結(jié)果死，塔羅微笑著著說完死這個字后李斯驟然感覺這個半大的少年渾身散發(fā)出一股子無比暴戾的殺氣，就在塔羅說出死這個字的時候，李斯阿克，感覺自己的手里搶不受控制的的抖動了一下，仿佛是脫離手掌，不過李斯，阿克用自己寬大的手掌，略微一按，步槍，便不再動彈，其實每個人手里的槍和弩箭都有種要脫離手掌的感覺，甚至有幾個人的槍和弩箭直接掉地上李斯驚訝的看著這個半大的少年，這個家伙的異能力什么時候變強了，他早就知道塔羅是擁有以能力的異能者，否則他也不可能被這個半大的小子給壓制這么久，但是沒有珍貴的藥劑和生物寶石異能者很難提高提自己的能力，初期的異能者很容易就被普通人殺死，但塔羅的背后可是有著哪一位的存在，怎么可能與普通弄的異能者相比較。! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.詳情
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